Thursday, 16 April 2015
Here's the gleeful narrator: "It is a pleasure to carry out the duties of a citizen and to receive in return a receipt or a neat styrene card with one' sname on it certifying, so to speak, one's right to exist. What satisfaction I take in appearing the first day to get my auto tag and brake sticker! I subscribe to Consumer Reports and as a consequence I own a first class television set, an all but silent air conditioner and a very long lasting deodorant. My armpits never stink."
However he finds that despite his odourless armpits he is for some reason still unhappy. Even going on holiday with his friends is hollow: "The times we did have fun, like sitting around a fire or having a time with some girls, I had the feeling they were saying to me: 'Hows about this Binx? This is really it, isn't it, boy?', that they were were practically looking up from their girls to say this. For some reason I sank into a deep melancholy."
The novel makes the point that life is meaningless and happiness largely a personal decision. It appears to have been written when this was still an unusual point of view. It's strange to think that this, so innovative at the time, is now pretty much most people's default.
Saturday, 11 April 2015
It tells the story of five children who grow up in Jamaica, and is told almost entirely from their perspective. It is therefore weird and unreasonable, and gets even more so when they are sent home to England in a boat, because the boat is taken by pirates, and they are accidentally abducted. The pirates treat them reasonably well, and the trip becomes a sort of strange holiday. One of the kids falls out of a window, and dies, and is never referred to by any of the children again. Another child begins to treat old bits of ship’s tackle as her babies. The oldest girl, almost thirteen, meets the fate common to oldest girls in bad situations. Meanwhile, the book is very merry. It’s like LORD OF THE FLIES, but told cheerfully.
Eventually, the pirates manage to off load the children on a separate ship, and the children are returned to their parents. They recover , while the pirates are jailed. You almost feel sorry for the pirates.
Here’s a little sample of the surreal feel of the book. It’s the very beginning, and I include it in part because it captures something of the social impact of the end of slavery in the West Indies, a subject I never really thought about before, but which also came up in WIDE SARGASSO SEA a little while ago:
One of the fruits of Emancipation in the West Indian islands is the number of the ruins, either attached to the houses that remain or within a stone’s throw of them: ruined slaves’ quarters, ruined sugar grinding houses, ruined boiling houses; often ruined mansions that were too expensive to maintain. Eathquarke, fire, rain, and the deadlier vegetation, did their work quickly.
One scene is very clearly in my mind, in Jamaica. There was a vast stone built house called Derby Hill (where the Parkers lived). It had been the centres of a very prosperous plantation. With Emancipation, like many others, that went bung. The sugar buildings fell down. Bush smothered the can and the guinea-grass. . . . The three remaining faithful servants occupied the mansion. The two heiresses of all this, the Miss Parkers, grew old; and were by education incapable. And the scene is this: coming to Derby Hill on some business or other, and wading waist-deep in bushes up to the front door, now lashed permanently open by a rank plant. . . The two old Miss Parkers lived in bed, for the negroes had taken away all their clothes: they were nearly starved. Drinking water was brought, in two cracked Worcester cups and three coconut shells on a sliver salver. Presently one of the heiresses persuaded her tyrants to lend her an old print dress, and came and pottered about in the mess half-heartedly: tried to wipe the old blood and feathers of slaughtered chickens from a gilt and marble table: tried to talk sensibly: tried to wind the ormolu clock: and then gave it up and mooned away back to bed. Not long after this, I believe they were both starved altogether to death. Or, if that were hardly possible in so prolific a country, perhaps given ground glass – rumour varied. At any rate, they died.
“by education incapable” !
“At any rate, they died”!
I can’t imagine why this weird book isn’t more famous
Sunday, 5 April 2015
It tells the story of an alcoholic named Jack, who has been away from home for twenty years, and now returns exhausted to his father, a pastor, and his sister who has likewise returned home a mess.
The father and sthe ister do a lot of agonizing. One of the more annoying aspects of this book is that they don’t just go ahead and call Jack was he is, an alcoholic; they act like there is some sort of dark and secret reason for his behavior, some implicit sin, some mystery; and much of the book is spent trying to ferret this mystery out. Guess what, he has a drinking problem. It’s not very mysterious.
The other books were much interested in religion, and I found this actually kind of interesting, and fundamentally positive. It’s unusual in a modern book For example, in GILEAD, the elderly man talks about the joy he had as a child baptizing kittens, and the sense it gave him of the sacred nature of all life. In HOME Christianity seemed to be mostly about condemnation, and a childish view of how ‘bad’ someone could be. I found it silly.
And the problem with a drinking problem is that it is fairly dull. You get drunk. You promise yourself you won’t drink again. You do. Etc. I appreciate it must be terrible to live through, but after the first three or four books it is pretty terrible to read through too.
I couldn’t even finish this book, not just because it was boring, but because it was really A LOT. Try this extract, which is, I’m sorry to say to you, about sex:
But he could feel now, too, trying the prelude, the prepatory nostalgic phrases on his wife’s senses, the image of his possession, like that jeweled gate the desperate neophyte, Yesod-bound, projects for the thousandth time on the heavens to permit passage of his astral body, fading, and slowly, inexorably, that of a cantina, when in dead silence and peace it first opens in the morning, taking its place.I mean: ASTRAL BODY?